Aracena, Huelva (Spain), 1964.
In 2024, Pedro G. Romero received the National Prize for Fine Arts.
His work has been shown in venues such as documenta14 in Kassel/Athens (2017) and the Bergen Assembly (2019), where he was also invited as a curator. His work was widely presented at the São Paulo Biennial (2010) and the Venice Biennale, where he was the first representative of the Catalonia Pavilion. He has also had solo exhibitions at the Sydney Biennale (2023), the Coimbra Biennial (2024), the Thessaloniki Biennial (2009), and the Göteborg Biennial (2013). Additionally, he participated in the Medellín Biennial (2007), two editions of the Bienal Sur in Buenos Aires (2019) and Rio de Janeiro (2022), as well as the Venice Architecture Biennale (2023).
The Museo Nacional Centro de Arte Reina Sofía (Madrid) dedicated a retrospective to his work Máquinas de trovar in 2022. The Ca2M in Madrid, the MNAC in Barcelona, and the University of Valencia presented the monograph Habitación in 2018, and the Württembergischer Kunstverein Stuttgart showcased his work in Wirtschaft, Ökonomie, Konjunktur (2010). His projects with Archivo F.X. were shown in Donostia/San Sebastián European Capital of Culture /Tratado de Paz (2013-2016), for which he also served as curator. His work Archivo F.X./Economía, Economía: Picasso was presented at the Picasso Museum in Barcelona in 2017, and Archivo F.X./ Política, La ciudad vacía, Comunidad was displayed at Fundació Antoni Tàpies in 2006.