Valladolid, 1981.
Belén Rodríguez’s artistic projects deconstructs the essential cultural components of textile craftwork, both pictorially and sculpturally. Reaping the benefits of the environment like a landscape sur le motiv painter, Belén Rodríguez acts more like a gatherer than an agent of representation.
Once achieving the colour, there is no need to recreate the shape of the trees or the clouds, the grass or the rocks. By working in this way Belén Rodríguez avoids the painter’s palette. Instead, she creates her own repertoire that reaches peak chromatic expression and maximum formal abstraction, delving deep into the mystery of colour and its superficial glory.